*Mother and Children at Ellis Island, early 1900s*, 2022, ink, watercolor, gouache on paper, 30” x 22”.
From the Portraits of Immigrant Women series.

My portrait of an immigrant mother and her children coming through Ellis Island in the 1900s is one of two works selected by U.S. Ambassador Nathalie Rayes for inclusion in a forthcoming exhibition at the U.S. Embassy in Croatia, located in Zagreb, Croatia, through the Art in Embassies program of the U.S. State Department.

Design for a 6 foot x 12 foot porcelain on steel panel for the downtown Redmond Link Light Rail Station. Pictured here are two members of the organiztion Ethiopian Community in Seattle.

Here are two of my five designs for permanent public artwork at the Link Light Rail Station in downtown Redmond. The project is through STart: Sound Transit Art Program. Each panel, currently being made by Winsor Fireform, will be six feet x 12 feet, created in porcelain on steel, and elevated on a ~15-foot pillar. The station will open in 2025.

Design for a 6 foot x 12 foot porcelain on steel panel for the downtown Redmond Link Light Rail Station. Pictured here are two members of the Ethiopian Community organization in Seattle. Pictured here are a mother and daughter who participate in a classical Indian troupe.

Drawings of the Ethiopian immigrant community (left), French-speaking West African community (center), and the Indian immigrant community (right) in the Puget Sound region. Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art. Malayka’s drawings are made possible, in part, by an Art Projects Grant from 4Culture, King County, Washington. Photo: Mark Woods.

Drawings of immigrants applying for United States citizenship at the International Rescue Center office in Seattle (center wall). Paintings of street protests (left wall) and drawings of immigrants participating in protests against the immigration ban (right wall). Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art. Malayka’s drawings are made possible, in part, by an Art Projects Grant from 4Culture, King County, Washington. Photo: Mark Woods.

Drawings of immigrants applying for United States citizenship at the International Rescue Center office in Seattle (detail). Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art. Malayka’s drawings are made possible, in part, by an Art Projects Grant from 4Culture, King County, Washington. Photo: Mark Woods.

(Left) Immigrant drawings. (Center) *Don’t Tread on Me*, 2017, oil on canvas, 48” x 48”. (Right) Signs, 2017, oil on canvas, 40” x 30”. Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art. Photo: Mark Woods.

From left to right on the wall, *Women/Mujeres*, *Collaborators*, *Last Summer*, *Summer Travels*, *Young Couple*, and *Sleepwalking*. Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art.

Drawings of immigrants participating in protests against the immigration ban. Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art. Photo: Mark Woods.

(Left) *Barriers*, 2017, oil on canvas, 36” x 48”. (Right) *May Day*, 2017, oil on canvas, 36” x 48”. Part of the 2021 exhibition *Present/Tense: Sculpture, Paintings, and Drawings by Tom and Malayka Gormally* at the University of Northern Iowa Gallery of Art. Photo: Mark Woods.

Now available for purchase: the exhibition catalog for the 2019 two-person exhibit Present / Tense at the Blanden Memorial Art Gallery, Fort Dodge, IA. Click here to purchase the catalog.